How can I communicate the results of my own study into the impacts of commercial whale watching on marine mammals to a scientific/non-scientific audience?
2023 Bosnia and Herzegovina - Social Messages (Module)
2023 Australia - The Way of Water (Module)
2023 Australia - Animal Minds (Personal Project)
2024 Japan - A Tale of Two Cities (Module)
2024 Greece - Mnemosyne Mining For Memories (Module)
2024 Canada - Quake Quest (Module)
2024 Brazil - Narrative of Life (Module)
LINK to performance
2025 Italy - Behind The Curtains (Module)
How can we use Commedia dell'Arte techniques and masks to adapt a classic play?
In this module, students will develop their creativity through the Italian performing art of Commedia Dell’Arte. They will develop skills in improvisation, acting, character development, costume design (mask-making specifically), and theatre studies. Students will collaborate to produce and perform a scripted piece (adapted or original) that expresses their understanding of Commedia Dell’Arte techniques, masks, and human expression.
This historical-cultural journey will also be addressed in a practical way by inviting students to learn about and experiment with texts, plots and some aspects of the acting technique of comedians and mask theatre. The group will be end the experience with an open performance.
2025 Mexico - Artivismo (Module)
How do we connect activism and art to local culture in the Oaxaca Region?
Throughout this module, I immerse myself in the cultural and social realities of Indigenous communities in Oaxaca, learning how their knowledge systems and forms of organization sustain both resilience and innovation. Rather than treating activism and art as separate ideas, I come to understand them as intertwined expressions of identity and community life. My work centers on issues such as land dispossession, gendered violence, and the marginalization of Indigenous voices, which reveal the broader patterns of injustice these communities continue to confront.
As part of the process, I collaborate directly with Indigenous leaders and local artists, creating pieces that draw from traditional narratives and artistic techniques like painting, printmaking, etc.. All of this leads to a culminating public showcase, where I present the artwork I helped create and discuss the social issues that shaped it. The exhibition becomes not only a creative finale but also a space where I participate in cultural dialogue in the city of Oaxaca.