My poster is a digital representation of a tarot card created using PhotoShop. Tarot cards also often have words that are associated with imagery displayed on each card, and for my art piece I chose to use the same concept. The words apparent on my poster are “The Trinity” which represents the three ethnic groups (Bosniak Muslims, Croats, and Serbs) because they rely on each other to make the country of Bosnia and Herzegovina what it is (despite the fact that peace is still something that the nation is striving for). I chose to incorporate the Latin Bridge as another main element to show the concept of withstanding and persevering through hardship. Finally, the Sarajevo Rose is representative of an objective for peace. Sarajevo roses are all over the city because they are an important part of culture in this country, turning something tragic (missile scars) into something beautiful (red roses). In the same way, the sun in my poster is a Sarajevo rose because it sheds a new light of peace on a country that still has lingering ethnic tension.
In this three week long personal project, I went on 6 dives (pool diving, shore diving, and open-water diving). During this process, I learned about physics related to the body underwater, safety protocols, how to set up equipment, and the importance behind the "buddy system". I then got to embark on several dives ranging from 2 meters in a pool to 17 meters in the Pacific Ocean off the shores of Melbourne. By the end of the project, I obtained my SSI "Open Water" certification which will allow me to dive up to 18 meters anywhere around the world in the future.
In this module, we got the opportunity to embark on excursions including a day trip to the Lume, Melbourne (an immersive Aboriginal art museum) and Narana Cultural Centre (a centre that educates visitors about Aboriginal culture and hosts animals including emus, kangaroos, and wallabies). We also had the opportunity to interview Prof. Wayne Quilliam, an Aboriginal artist who is also the curator of the Lume, and Aunty Sherri, an Aboriginal woman and author. Furthermore, over our WeXplore trip to Innesvale, Cairns, we experienced living with the Goondoi Aboriginal community where we witness a traditional initiation dance, experienced a saltwater welcoming ceremony, learned about indigenous animals and wildlife, went on a night boat tour of the surrounding land, and interacted with children at Radiant Life College, a local school. In the process, we learned about traditional hunting and cooking practices. Through information gained from our experiences, excursions, and interviews that we conducted, we created short films including footage shot ourselves and animations that we illustrated to explore the concept of "land" while understanding the depths behind Aboriginal art. These films were displayed through an immersive experience at our in-country showcase including projected media, indigenous diffused scents, and both traditional and modern Aboriginal music.
In this module, we learned about the study of mystique, traditions, and fierce fighting skills of Samurai warriors. We learned about how these contribute to the culture of etiquette held by Samurais through the Bushido code, a code of certain values followed by the Samurai (righteousness, courage, benevolence, respect, honesty, honor, and loyalty), as well as the culture of being a gentleman warrior, poet, and aristocrat . We learned about Samurai culture and history through various experiences such as learning karate, doing a katana and ninja star wielding workshop, attending a traditional tea ceremony, and much more. We then learned about the intricacies of theatre and philosophy as well as how to write play scripts, and produced an original play with a storyline and script written ourselves, combining these elements into a one act play called “The Next Samurai.”
Through this module, we aimed to explore earthquakes' history, societal impact, and how countries manage them as well as incorporating probability and sta. For my summative, my module partner and I created a "Twister" board game inspired by what we learned about earthquakes. The Twister mat was placed on an air mattress simulating an earthquake and had the classic color-spinning wheel. It included "positive" and "negative" cards entailing different earthquake scenarios that either led you to place your hands and feet on the Twister mat or take them off depending on the card. It also included wild cards with probability questions that gave your team bonus points.
Throughout this module, I explored nature conservation in Brazil through bioacoustics and intersected it with creative writing. In order to learn about these topics I went on a series of excursions including a full-day boat outing to learn about the use of bioacoustics in marine conservations, the history of Salvador, and the benefits of marine protected areas. I visited a reserve that was transformed from grasslands to a rainforrest through agroforestry. I also engaged in a singing and poetry workshop in which I learned about vocal, bodily, and instrumental expression.
My absolute favorite part of the module was our WeXplore in which we took a five day trip to Santarem and experienced Brazil's Amazon forrest in a variety of ways. We partook in a mushroom inventory to keep track of the various species in the area, did a frog inventory to study frogs native to the area, did a fluorescence and bioluminescence inventory in which we looked for scorpions, bioluminescent mushrooms, and other fluorescent organisms. We learned about the importance of salvaging islands in the Amazon by planting trees on one of them, and followed this experience with a relaxing swim in the river surrounding the island, learning about the "moon-walk" technique used to avoid sting-rays. We also spent at least twelve hours on a boat during which we did a bird-watching inventory by taking pictures of birds from the boat as well as from numerous islands that we stopped to walk around. Furthermore, we set up camera traps in a reserve in the Amazon forrest and collected data from them, tracking the abundance and variety of animals in the area. We completed our stay by watching and participating in a Carimbo performance, a dance/ musical style which has a combination of Afro-Brazilian and Indigenous roots. Our last meal was a variety of Indigenous foods ranging from shrimp soup to arrowroot.
In order to wrap up our learning, we created a summative that intersects bioacoustics, conservation of the Amazon, and creative writing/ music. My summative partner and I created a story that personifies nature by transforming it into a woman who experiences numerous exploitative relationships before becoming irreparably ruined. We used various songs as a source of inspiration including "You Know I'm No Good" by Amy Winehouse, "Copacabana" by Barry Manalow, "Girl From Ipanema" by Stan Getz, and "Cherry Wine" by Hozier. We also used inspiration of a story told through song by the women from the poetry workshop. Here is the performance that we did at showcase.
My module this term explored the driving question, "How can I design a cafe space with a signature drink to embody the modern culture and past heritage of Vietnamese coffee?" We attended a 2 day barista course in which I was able to learn different aspects of coffee-making and catering to customer satisfaction. I learned about how the two different kinds of coffee are grown, separated, dried, processed, and distributed. We also did a drink building competition in which we designed a signature coffee. The drink that I made was a yakult strawberry coffee. This was done through mixing strawberry syrup with yakult in a glass, then whisking a shot of espresso until it foamed up in a separate cup. Then, I added the yakult mix to a cup over ice and topped it off with the whisked coffee. I won the drink building competition because the judges thought I had a good balance of flavors, which I was grateful for. We then got certified as "Basic Baristas". We also went on a WeXplore trip to Hoi An and went on various excursions such as going to the Phin Lab Roastery, learning about the interior design of the Slow Cafe, and visiting a gallery cafe. We also learned to make traditional Vietnamese interior design elements by doing a lantern workshop.
My summative for this module was to design my own cafe and signature drink. This is the description of my cafe, "At our café, every cup, every product, and every detail is a celebration of cultural exchange—an invitation to slow down, connect, and experience the world through fresh eyes. Nestled in the heart of Hanoi and on the edge of Westlake, Kahawa is a sun-soaked escape inspired by the vibrant energy of a tropical beach holiday in Kenya. We set out to create more than just a place to grab coffee—we built a bridge between cultures. Our cafe draws attention to African diasporas worldwide while celebrating the richness of both Kenyan and Vietnamese coffee traditions. Upstairs, our Maasai Market is a treasure trove of creativity, showcasing handcrafted jewelry, art, and fabrics from African artisans living in Vietnam. We believe in community and inclusivity, which is why you'll also find beautifully crafted Vietnamese products, supporting local talent and weaving a tapestry of global stories. Step inside, and you'll find yourself transported: sandy floors cushion your feet, stone walls echo the charm of Kenyan coastal homes, and each sip of our tropical-inspired drinks carries the essence of a beachside breeze. Our menu is a harmonious blend of the bold, aromatic flavors of Kenyan coffee and the smooth, robust notes of Vietnam’s finest brews."
I also created an extensive menu with drinks based on beaches around Kenya and Vietnam. This a description of my signature drink:
The Diani Delight
Ingredients:
60 ml cold brew (AA Kenyan coffee)
10 ml coconut syrup
30 ml passion fruit juice
15ml oz fresh lime juice
A couple whole Kenyan coffee beans
Coconut flakes for garnish
Instructions:
Fill a shaker with ice and add cold brew, coconut syrup, passion fruit juice, and lime juice.
Shake well and strain into a chilled glass over fresh ice.
Garnish with toasted coconut flakes and a few whole coffee beans.
I then designed my cafe using 5D planner based on the description above. It includes a custom-made Kenyan and Vietnamese beach inspired color pallet and decor. The pictures can be seen to the left.
My personal project was based on the driving question, "How can the sensory experience of the scenery of Hanoi be translated into a visual narrative to deepen cultural understanding through a perspective collage piece?" In order to answer this question, I did research on the different types of photo shots as well as a tutorial on how to use canva. I then took over 300 photos of both Hanoi and Hoi An based on certain aspects that I believe to be significant to Vietnam including, Street food, Train street, Coffee, Conical hats, Motorcycles, Communist flags/ Vietnam flags, Pho, Lanterns, Nature, and Rice fields. Next, I created a first draft, received feedback and created a final draft which will be printed out and displayed at showcase.
The background of my poster is composed of a few extreme wide and wide shots. I included a picture of Train Street in Hanoi for the top half at the back because I believe it captures Hanoi’s busy, vibrant, touristic essence to the fullest. Above that is a picture of a street in Hoi An with several rows of Vietnamese flags. I included this image because I noticed one staple of Vietnamese culture: the inclusion of Vietnamese and communist flags along the streets. The bottom left of the poster includes a medium close-up shot of a man on a motorcycle. I duplicated it twice and used different filters for each layer to give the illusion of the man popping out of the poster. I also added a cut-out of three basket boats in the rice fields. I placed them in a picture of a bowl of pho which a cut out of mountains and sky behind them, to make them seem like they are floating. The bowl of pho is relatively central because I see it as a staple in Vietnamese culture. I also added a stop sign that I left in color, making it stand out in the foreground. The odd position of the stick man showcases the bizarre details that I have noticed in certain aspects of Vietnam, such as the organized chaos of the streets. At the bottom right is a hand holding a coffee. I included coffee because of Vietnam's evident and rich coffee culture, particularly in Hanoi and Hoi An. Above that is a woman in a conical hat carrying something on her shoulder and smiling. This symbolizes the friendliness of the locals I have experienced and the culture of selling goods on the streets. I replaced the original fruit basket with a basket of hibiscus claw clips because this is something I have seen sold in various places. The center/ middle of the poster includes a couple of women doing a traditional dance that I watched in Hoi An.
To the left is the official final poster.
My module in Italy was based on the merging of the fashion and car industries in Italy. To learn about these topics, we delved into the creative processes and intentionality behind both industries. We went on a series of excursions, including visiting the Ferrari Museum in Modena, going to the Ferragamo Museum in Florence, visiting various fashion houses and attending a workshop by a fashion designer in Milan, visiting fashion museums in Venice, and Rome, and going go-karting. These trips gave us insights into the engineering and artistry of vehicles, while also exploring Italy’s rich fashion scene, revealing the innovation and cultural significance of couture. My summative for this module was to design an original fashion piece that combines aesthetic appeal and functionality while collaborating with a car brand. My summative partner and I chose to create two different pieces, one based on the idea of the fascist era in Italy, and one based on the Baroque/ Renaissance in Europe as a whole. Our first piece plays on the concept and principles of fascism by exploring concepts of femininity and rebellion as a contrast to the typical masculine, conservative flair of fashion during that time period. Taking inspiration from the traditional black fascist uniform, we used a long, black trench coat as the primary element of the piece, then incorporated a brown broach and tie to further adhere to the fascist look. As a twist, we incorporated a transformation in the outfit by doing a reveal to a second outfit beneath the trench coat— a grey mini skirt and white halter top above brown knee-high boots, as a play on femininity and rebellion. For our second outfit, we used a long, lacey, black and grey dress with black kitten heels and a Venice-style mask, taking inspiration from the Baroque period in Europe. We also chose to incorporate maximalist jewelry and a fan to further adhere to the intense use of accessories in this period. This look is at once classy and seductive, taking a bold approach to this era in Italian history. Our summative was presented at our module-based fashion show with the song “Something in the Way” by Nirvana to complement our first look, and the song “Army Dreamers” by Kate Bush to go along with our second look. We also incorporated projections of images and colors in the background for a cohesive, immersive experience. The overall curation goes along with a vintage Bentley as our collaboration with a car brand.
My personal project in Italy was based on Florentine pottery. I explored various aspects of this including the history of it, different forms of Italian pottery, and how it practiced today. I also explored the implementation of geometry in pottery, including Greek, Indigenous Australian, and ancient African art. I then attended multiple pottery classes in Florence and learned about techniques used in to develop pottery pieces such as molding, slabbing, coiling and glazing. My final piece is a hand which will serve as a ring holder. I decided to go with this idea to combine aesthetic appeal and functionality. In terms of functionality, fingers offer a built-in framework for showcasing rings, simulating how they are worn. In terms of the symbolism and aesthetic appeal, hands stand for creativity, connection, and nurturing. I also incorporated human anatomy to my design to ensure that it is a realistic-looking replica (through aspects like the folds of the fingers, the tendons and knuckles at the back of the hand, and the details on the palm). I wanted to combine practicality and creative expression by embodying human form in a practical way. So, I converted a common object into something unique.